8) reflects these trends; the gap left by her extremely low-cut black bodice is filled by a panel of golden floral embroidery. 4 - Albrecht Dürer (German, 1471 – 1528). Designs are inspired by patterns popular in Spain from Moorish culture. 11 - Artist unknown (Italian). Biblioteca Digital Hispánica. Considered to be the first battle in history won by gunpowder small arms. Or a newly digitized periodical/book to announce? 1912 nos. Source: SKD, Fig. In Quentin Massys’ St. Anne altarpiece (Fig. Its sleeves often had a large opening at the wrist and the cuffs were often turned back with a contrasting color or fur lining. Source: Wikipedia, Fig. “Théâtre de tous les peuples et nations de la terre avec leurs habits et ornemens divers, tant anciens que modernes,” 16th century. Source: AIC, Fig. Portrait of Johann Friedrich the Magnanimous, 1509. Watt, Melinda. At the start of the sixteenth century, the first layer a man would put on would be his linen shirt or chemise, which in this period was nearly always visible and gathered at an often-ornamented neckband. 16th Century Timeline: 1501 to 1600. The low neckline and broader silhouette are similar to Doni’s and her sleeves also seem to be laced to her bodice, though they are narrower than Doni’s. Of particular interest in the market scene (Fig. Oil on panel; 72 x 89 cm. European History Timeline 1500 . Bourdichon (Fig. Raphael’s portrait of Maddalena Doni (Fig. 1 - Lucas Cranach the Elder (German, 1472–1553). Double portrait, 1502. Open-toed sandals, short-fitted suits and jackets became very Under Henry VII in England, men wore: “very short doublets, open-necked shirts, tight, often parti-coloured trunk hose” (Boucher 242) – not unlike the fashion in the French murals just described. Source: Royal Collection Trust. Bernardina Zaganelli da Cotignola’s Portrait of a Lady (Fig. If you’ve been watching period pieces recently, With the first half of the 1940s dominated by Worl, The Jazz Age: American Style in the 1920s (2017), Addressing the Century: 100 Years of Art and Fashion (1998), 100 Dresses: The Costume Institute, The Metropolitan Museum of Art (2010), We Were There: Harlie Des Roches on the Black Presence in Renaissance Europe, Hymn to Apollo: The Ancient World and the Ballets Russes, Frida Kahlo: Appearances Can Be Deceiving, Grand Opening of the Museum of Historical Costume in Poznan, Poland, The Wallraf-Richartz-Museum & Fondation Corboud, http://tudortimes.co.uk/people/anne-of-brittany-life-story/queen-of-france, http://www.elizabethancostume.net/farthingale/history.html, http://bdh-rd.bne.es/viewer.vm?id=0000052132&page=1, https://lib.ugent.be/en/catalog?q=rug01:000794288, http://bdh-rd.bne.es/viewer.vm?id=0000012553&page=1, http://hdl.handle.net/10111/UIUCUNICA:erasde0001ciumor, http://bdh-rd.bne.es/viewer.vm?id=0000099490&page=1, https://www.kb.nl/kbhtml/alba/frameset9.html, http://bdh-rd.bne.es/viewer.vm?id=0000099924&page=1, http://bdh-rd.bne.es/viewer.vm?id=0000022768&page=1, http://bdh-rd.bne.es/viewer.vm?id=0000099918&page=1, http://bdh-rd.bne.es/viewer.vm?id=0000016695&page=1, https://collections.lacma.org/node/172051, https://catalog.hathitrust.org/Record/008965469, https://en.wikipedia.org/w/index.php?title=1500%E2%80%931550_in_Western_European_fashion&oldid=818779252, https://en.wikipedia.org/w/index.php?title=1550%E2%80%931600_in_Western_European_fashion&oldid=810773280, http://www.elizabethancostume.net/index.html, https://www.metmuseum.org/toah/hd/broi/hd_broi.htm, https://www.metmuseum.org/toah/hd/afas/hd_afas.htm, https://www.metmuseum.org/toah/hd/afas16/hd_afas16.htm, http://www.vam.ac.uk/content/articles/f/reading-list-fashion-up-to-the-17th-century/, http://www.renaissancetailor.com/research_vocabulary.htm, https://www.metmuseum.org/toah/hd/velv/hd_velv.htm, https://www.metmuseum.org/toah/hd/deca/hd_deca.htm, https://www.pinterest.com/pocketmuseum/1500-1599-men-in-art/1500s/, https://www.pinterest.com/pocketmuseum/1500-1599-women-in-art/1500s/, https://www.pinterest.com/pocketmuseum/1500-1599-extant-clothing/, https://www.pinterest.com/pocketmuseum/1500-1599-fabrics-textiles/, https://www.pinterest.com/pocketmuseum/1500-1599-jewelry/, https://www.pinterest.com/pocketmuseum/1500-1599-armour/, 1568 – Bernardino Campi, Portrait of a Woman, Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Oil on panel; 56.5 x 41.6 cm (22 1/4 x 16 3/8 in). Hill describes Italian fashion at the start of the 16th century, writing that: “Sleeves became voluminous, and the arm opening dropped off the natural shoulderline emphasizing long necks and long, cascading hair. She wears a French hood, seemingly edged with diamonds (which often appear black due to their settings in this period), a substantial pearl and diamond-encrusted gold necklace, and a blue girdle. Before coming to FIT, Dr. De Young previously taught art and fashion history at Harvard, Wellesley, Lesley and Northwestern University. Department of Arms and Armor, The Metropolitan Museum of Art. Slashing, the deliberate cutting of fabric for decorative effect, and pinking (a more regular, smaller version of slashing) were quite common. 5 above), has the voluminous sleeves typical of the period (Fig. The triangular opening of her gown that reveals the golden kirtle beneath is a trend that will become popular in later decades—notably none of her ladies in waiting have yet adopted it, though they all wear gowns with square-cut necklines, large sleeve openings and fur cuffs as Anne does. Duckbill shoes, which replaced the 15th-century pointy-toed poulaine, were square with rounded corners. Portrait of Catellano Trivulzio, 1505. 9 - Bernardino de'Conti (Italian, documented 1494-1522). Oil on pine; 60 x 45 cm (23.6 x 17.7 in). Oil on panel; 39 x 33 cm (15.3 x 12.9 in). The Baroque style started in the 1600's-1650's It is the period of history of Western arts roughly coinciding with the 17th century. home | timeline index | 1401-1500 | 1511-1520. Back Fashion Timeline. To discover primary/period sources, explore the categories below. The large blue silk damask sleeves reflect the broader, more masculine silhouette that was becoming fashionable for men and women. Source: Liechtenstein, Fig. Fig. Oil on oak; 47.6 x 35.2 cm (18 3/4 x 13 7/8 in). Media in category "1500s fashion" The following 52 files are in this category, out of 52 total. London: National Portrait Gallery, NPG 311. 3 - Artist unknown. Vienna: Kunsthistorisches Museum, Picture Gallery, 6440. Significance: Location:Brazil. She wears a gown with a square neckline, as well as an ample skirt and train. Source: Brooklyn Museum. It was the disco period and everything was sarting to get gradually shorter. Fashion since the 1500's Timeline created by Asher. 1500. 1501 The world has a population of around 435 million – about one-fourteenth today's population of 6.4 billion. 12) includes a young girl dressed identically to her mother—even including the ermine lining of her gown—whereas the youngest child wears a skirted doublet with red stockings, but no gown. “Habitus Praecipuorum Populorum, Tam Virorum Quam Foeminarum Singulari Arte Depicti...[Texto Impreso].” Biblioteca Digital Hispánica, 1577. Consistent with this mission, the Timeline’s written commentary, research, and analysis provided by FIT students, faculty, and other members of the community is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. 12) the wife figure wears a blue brocade gown with a low, square neckline and ermine-lined sleeves. He is clean shaven and has a shoulder-length bob. Source: Pinterest, Fig. 1840: Voluminous skirts regain popularity Stylists began moving back toward the more voluminous skirts from the 1700's. Lucas Cranach the Elder’s portrait of Anna Cuspinian (Fig. Costume Close-Up Clothing Construction and Pattern 1750 - 1790 by Linda Baumgarten, John Watson, and Florine Carr. 1500-1560s – Men begin layering clothes to give bulk and width, especially at the shoulders, creating a square outline. Fashion history reveals the first recorded corset originated from Crete in Greece, worn by the Minoan people. 2). 1) captures many of these trends: from the highly visible, finely gathered white chemise with ornamented neckband to the low, square black doublet/jerkin neckline and the broad-shouldered, loose gown with ample turned back fur revers. She wears a fine hairnet or caul, along with a delicate circlet around her forehead and an impressive pearl necklace with a pendant jewel. Girdles or belts were almost always worn, as were stockings (or hose), held up with garters. https://fashionhistory.fitnyc.edu/wp-content/plugins/zotpress/, 1990 – Vivienne Westwood, “Portrait Collection” Corset, 1995 – Vivienne Tam, “Mao Collection” Dress, During the 1870s, women’s clothing became increa, In this 1639 painting by Rembrandt, Maria Trip wea, In support of Kamala Harris and in the spirit of s, Vivienne Westwood’s 1990 corset from her “Port, In honor of Martin Luther King Jr. Day, we want to, Spring by Édouard Manet is a breathtaking, youthf, This color-blocked 1973 chiffon evening dress repr. Albrecht Dürer - Two Musicians - WGA6952.jpg 700 × 1,289; 164 KB Fig. 3 - Lucas Cranach the Elder (German, 1472-1553). 4), shows a young woman in a red gown with lacing at the sleeves left slightly open to reveal her white chemise below. 1504-1507. Contact us! History 1500s 1600s. 13 - British School (16th century). Legs were covered in hose ending at the knee, with the two legs joined by a codpiece; netherhose or stockings were worn below, supported by garters. A description of Katherine of Aragon upon her marriage to Prince Arthur in 1501 mentions the farthingale’s traditional hoops: “her gown was very large, bothe the slevys and also the body with many plightes, much litche unto menys clothyng, and aftir the same fourme the remenant of the ladies of Hispanyne were arayed; and beneath her wastes certayn rownde hopys beryng owte ther gownes from the bodies aftir their countray maner.” (Elizabethan Costume), [“her gown was very large, both the sleeves and also the body with many pleats, much like unto men’s clothing, and after the same form the raiment of the ladies of Spain were arrayed; and beneath their waists certain round hoops bearing out their gowns from the bodies after their country’s manner.”]. Various Ethical Philosophers and Their Respective Ethical Philosophies. Open necklines offered an obvious showcase for rich necklaces and jewelry began to be worn more now that the wimples, veils, and high collars favored in the 15th century were being discarded. Agnolo Doni, ca. Anne of Brittany (1477-1514) was Duchess of Brittany and twice crowned the Queen of France. Jan 1, 1970, mini skirts, leather, booby socks, bell bottoms, hippie headbands Jan 26, 2010, Western fashion, combat boots, oversized cardigans, hot pants, hoodies, hollister clothing, skinny jeans, milatary fashion, rufdfles and drapping. This growing foreign influence on dress prompted Venice in 1504 to ban garments “in the German fashion” (Boucher 222). During the start of the century, bodices were long-waisted. German artist Albrecht Dürer visited Venice in 1505 and his portrait of an unknown Venetian woman (Fig. All these items were worn in the 1990's as party clothing, especially neon colours. French fashion becomes desired The Godey's Lady's Book was a top fashion voice in the 1800's. Voluminous clothing with so much layers, contrasting fabrics, embroidery, trims and other forms of ornamentation was prominent. Source: Louvre, Fig. 1 - Jean Hey (Netherlandish, active 1475-1505). 1500–1509 In 1500, the wheel-lock musket was invented, a firearm device that could be fired by a single individual, ushering in a new form of warfare. 1). Oil on panel; 33 x 25 cm. Jan 1, 1980, Mini skirts worn over leggins, untidy hair and fish net gloves, short dresses. 18th Century Wigs 17th Century Clothing 17th Century Fashion 16th Century Historical Costume Historical Clothing French Fashion Vintage Fashion Fashion Books. Madonna became a fashion icon for lots of young people due to the release of her single 'like a virgin'. The Standard Bearer, ca. Sleeves were often of a finer fabric than the body as they were more visible when wearing a gown. In the military fashion, doublets were commonly cropped at the waist to which the hose was attached.” (354) Sts. Fashion in 15th-century Europe was characterized by a series of extremes and extravagances, from the voluminous robes called houppelandes with their sweeping floor-length sleeves to the revealing doublets and hose of Renaissance Italy. 7) confirms these trends, with its low neckline, laced sleeves, and delicate caul (hair net). 1500's: Hernán Cortés (1485-1547) 1519 : The Spanish Conquest. They praised French fashions, and it quickly became very popular in the United States of America. British Costume Fashion through the Ages – Part One. Parchment; 31 x 21 cm. 6) by Giorgione from around 1505 illustrates many of these trends. 371. 5) includes a similarly impressive pendant pearl necklace. Lacing was used prominently to attach sleeves to the bodice of the gown, with the white of the chemise visible and sometimes puffed out. Woman always wore laced aprons on the top half of their body. 12) contains even more elaborate parti-colored hose, both on the men and hanging at the rear of the shop, where hose with codpieces attached are visible. “Omnium Pene Europae, Asiae, Aphricae, Atque Americae Gentium Habitus.” Biblioteca Digital Hispánica, 1581. Her chemise is visible along the low bustline and at the laced openings joining her sleeves to her bodice. She wears the same hood and necklace in another illuminated manuscript page (Fig. “History of the Spanish Farthingale.” Accessed June 5, 2019. Vesalius, On the Fabric of the Human Body, 1543 This is paired with a kirtle with gold sleeves, a golden girdle (belt) and a French hood. 9). Oil on spruce wood; 60.1 x 45.5 cm (23.6 x 17.9 in). In 1990-1999, 20th century, garment analysis, In 1860-1869, 19th century, garment analysis, In 1970-1979, 1980-1989, BIPOC, designer profile, LGBTQ+, In 1950-1959, 20th century, garment analysis, LGBTQ+, In 1900-1909, 1910-1919, 20th century, blog, Last updated Aug 18, 2020 | Published on Jun 7, 2019. “1500–1550 in Western European Fashion.” In, “1550–1600 in Western European Fashion.” In. Moses undergoing Trial by Fire (Fig. October 2004. Source: Wikimedia Commons, 1500-1509, 16th century, G, H, term definition. Piper and Drummer, ca. Jean Hey gives a sense of what this looked like among the elite in his slightly earlier portrait of the Dauphin Charles-Orlant (Fig. The Wealthy Man, 1500-10. For upper class women, richly embroidered or embellished panels were stitched across the bosom. Accessed June 6, 2019. Have a primary source to suggest? Parus: Bibliothèque nationale de France, Français 5091. Joanna of Castile, Queen of Castile from 1504, reflects these late 15th- and early 16th-century trends in a donor portrait on the Last Judgement Triptych of Zierikzee (Fig. 1505. Particolored hose, while still worn, faded out of style in the first decade of the 16th century. Fashion Timeline.17-th century on Behance. Oil on wood panel; 31.7 x 21.7 cm. Maddalena Doni, ca. Vincent, Susan J., and Elizabeth Currie, eds. Her gown cuffs seem to be trimmed in sable and her kirtle sleeves are red, trimmed in gold. Vienna: Kunsthistorisches Museum, Gemäldegalerie, 4404. 1508–1512 – Michelangelo paints the Sistine Chapel ceiling. Source: Google Arts & Culture, Fig. Cranach (Fig. At the start of the sixteenth century, women dressed as they had for much of the fifteenth century, though changes were slowly introduced. 4) again shows the short doublet, this time skirted, with small paning at the shoulder; his sleeveless jerkin is green with scalloped edging at the armscye and applied ornamental braid (passementerie). Moses undergoing Trial by Fire, detail, ca. The portrait emphasizes his long neck as Hill discussed above. Blackwork or other colored embroidery was commonly applied to chemise necks, fronts, and wrists. Thomas Malory, The Legend of King Arthur and the Knights of the Round Table Manuscript, 1469 Biblioteca Digital Hispánica. Pedro Alvares Cabril claims BrGTRESAARFHHUJKLKIJJJJJJ. Tortora, Phyllis G., and Sara B. Marcketti. A timeline created with Timetoast's interactive timeline maker. Bertelli, Pietro. Major Fashion Trends and Styles of the 1500s The 16 th century was a time when fashion was shifting out of the medieval period and transitioning into the Renaissance. Illustrated Timeline Presents Women’s Fashion Every Year from 1784-1970 By Kelly Richman-Abdou on July 31, 2017 As a versatile art form, fashion illustration is intended to showcase the material, colors, and design of clothing. The men’s hose is slashed decoratively to reveal a contrasting underhose fabric, garters hold up the man in pink’s stockings and codpieces are in evidence, though only beginning to be decorated. An illumination in the Grandes Heures depicts Anne in prayer, surrounded by three saints (Fig. 1906 BB. London: National Gallery, NG6539. 1 - Jean Bourdichon (French, 1457-1521). Her work has been generously supported by grants and fellowships from the Metropolitan Museum of Art, Getty, Kress and Mellon Foundations. Tauris 2017/Bloomsbury 2019). Search for: Bequest of A. Augustus Healy. 6 - Giorgione (Italian, 1470s-1510). Last Judgement Triptych of Zierikzee, detail. Source: Web Gallery of Art, Fig. Florence: Uffizi, Inv. Pointed-toe poulaines had begun to be replaced by broad-toe duckbill shoes at the end of the 15th century and became the dominant style in early 16th century. The skirt’s silhouette was slim at the hip, achieved with pleating and smocking. Equally, pale furs, such as mink, ermine, lettice (a pale white or grey fur from the snow-weasel), lynx and the light coloured belly fur of the leopard or libbard, were also popular and used to striking effect on dark fabrics.” (102). Dresden: Staatliche Kunstsammlungen, Gal.-Nr. Fashion Timeline.17-th century. Brought in at the high waist to create a natural figure. Della Casa, Giovanni, and Nicholas Fitzherbert. Altar of Saint Catherine, 1506. Oil on panel; 38.8 x 27.9 cm. Chicago: Art Institute of Chicago, 1938.1461. Hernán Cortés defeats the Aztecs (1519 - 1521). 11 - Bernhard Strigel (German, 1461-1528). 8 - Lucas Cranach the Elder (German, 1472-1553). A woman of immense wealth, culture and taste, Anne dressed herself at the forefront of style as befitted her role as Queen of France and Duchess of Brittany. Katherine, who later married Henry VIII, is traditionally said to have brought the Spanish farthingale to England upon her marriage to Arthur at the start of the 16th century, but they were not extensively adopted in England until the 1540s (Reynolds 41). Portrait of a Lady, 1500. Heere, Lucas d’. Cologne: The Wallraf-Richartz-Museum & Fondation Corboud, WRM 0369. The tailor’s shop mural (Fig. Fashion in European Armor, 1400–1500. Cranach’s portrait of Johann Friedrich the Magnanimous (Fig. 11), where men wear Italian-style bonnets with cut and laced together brims. Principis Venetiarum.” Biblioteca Digital Hispánica, 1594. Agnolo Doni, husband of Maddalena (Fig. 2). 1509 – Marriage of Katherine of Aragon to Henry VII of England starts a trend for geometric blackwork embroidery on linen clothing. 13) is shown wearing a low-necked doublet, with gold embroidered shirt band, a gown with fur revers and large cape collar, and a red bonnet with slashed brim and St. John the Baptist medallion. Windsor Castle, RCIN 403438. The foundation of a woman’s outfit was her smock/shift/chemise, which was made of linen and easily washed. The influence of Italian high Renaissance style is most notable in the necklines of men’s doublets and jackets, which became lower and began to reveal more of the shirt as we saw above. In the military fashion, doublets were commonly cropped at the waist to which the hose was attached.” (354). If you have suggestions or corrections, please contact us. May 23, 2020 - Explore Paige Ervin's board "1500's Fashion", followed by 215 people on Pinterest. Bruyn, Abraham de. Source: Royal Collection Trust, Fig. Her hood is particularly ornate, as Jane Ashelford notes in her Visual History of Costume: The Sixteenth Century (1983): “[t]wo sets of lappets, one plain, the other decorated with pearls and jewels, fall in front of the shoulders, the rest of the hood falls behind” (21). 10) on the figure at right. They start wearing hose to show off their shapely legs, suggesting athleticism.